Dracula - A Comedy of Terrors

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Milnerton Playhouse

15 August 2024 - 08 September 2024

Wayne Hendricks’ production of Dracula – A Comedy of Terrors is a masterclass in blending gothic horror with riotous comedy. This fresh take on the classic tale of the infamous vampire is brought to life by a stellar cast whose performances dazzle from start to finish. With little to no fault in this production, it stands out as a delightfully entertaining production.

James Lister leads the cast with a commanding yet comically self-aware portrayal of Dracula. His impeccable timing and ability to balance menace with absurdity anchor the production, ensuring that the audience remains enthralled throughout. Lister’s charismatic presence is matched by the versatility and brilliance of the cast, whose collective energy drives the humour and wit of the play.

A particular highlight is Grace Brain, whose dual performance as Renfield and Dr Westfeld is nothing short of exceptional. As Renfield, she brings a manic intensity and physical comedy that steals every scene she’s in, while her transformation into the eccentric Dr Westfeld showcases her remarkable range and comedic precision. Brain’s ability to inhabit two such contrasting roles with equal conviction is a testament to her extraordinary talent. This is an actress to watch out for.

Equally praiseworthy is Ingrid Penzhorn, whose dual performances as Mina and Van Helsing are a joy to watch. As Mina, she exudes charm and warmth, capturing the audience's empathy with her childlike innocence, while her portrayal of Van Helsing is a tour de force and a hilariously eccentric counterpoint. Penzhorn’s ability to bring depth and humour to both roles highlights her impressive versatility and sharp comedic instincts.

Kyle Mclachlan delivers a wonderfully germaphobic Jonathan Harker, whose obsessive cleanliness brings an additional layer of comedy to the character. His performance is delightfully nuanced, with physicality and timing that earn consistent laughs. Meanwhile, Jasmine Hazi is utterly charming as Lucy, but her dual roles as the coach-driver and my personal favourite, the kleptomaniac Kitty - had the audience in stitches.

The production is further elevated by its masterful use of sound effects and musical backtracks, which enhance the tone of each scene. From dramatic thunderclaps to quirky musical cues, the auditory elements heighten the comedy to a new level. These choices bring an added layer of immersion, underscoring the absurdity or tension at just the right moments. The synchronisation of these effects with the action on stage is seamless, demonstrating a high level of technical finesse.

Visually, the production also impresses, with clever use of lighting and staging that nod to the gothic origins of Dracula while embracing the playful tone of the adaptation. Combined with the sound design, the overall atmosphere is richly engaging, drawing the audience into the absurd and delightful world of the play. The backstage crew did a stellar job with all the scene changes, and "The Bed" should receive its credit for moving on and off stage more times than I could count.

Wayne Hendricks ensures the pacing never falters, maintaining a lively rhythm that keeps the comedy fresh and engaging. The ensemble’s chemistry is evident, with each actor contributing to the play’s success. From quick-witted dialogue to laugh-out-loud physical gags, the entire cast delivers with unwavering commitment and infectious enthusiasm.

With its near-flawless execution, Dracula – A Comedy of Terrors is a testament to the power of sharp direction, inspired performances, and ensemble collaboration. Wayne Hendricks, James Lister, Grace Brain, Ingrid Penzhorn, Kyle Mclachlan, Jasmine Hazi, and the entire crew have delivered a production that is both hilarious and unforgettable. This is a show not to be missed.